By the mid 1840s the Victorian reading public were familiar with the work of Charles Dickens and his stories of everyday life. Between 1837 (when the young Queen Victoria ascended the throne) and 1839 Bentley’s Miscellany serialised the adventures of Oliver Twist as he escaped from the home of the Sowerberrys and the abuse he’d suffered at the hands of Noah Claypole and Charlotte, the serving maid.
Of course that escape was short lived as Oliver was plunged into the criminal underworld of the metropolis and the lives and crimes of Fagin and his gang of pickpockets. Happily of course ‘all’s well that ends well’, and Oliver finds redemption and peace in the home of Mr Brownlow, even if the plot does have a few more twists and turns along the way.
Oliver was a parish apprentice. He was placed first with a chimney sweep and then with Mr Sowerberry (an undertaker) as a way to get him out of the workhouse and off the parish books. Apprenticeship was not as popular as it had been 100 years earlier but it was still seen as a route to a respectable trade and steady income. Young people were apprenticed in their teens and learned a skill from their master before leaving to set up as journeyman in their early 20s.
The system was open to abuse of course; Dickens was not making up the characters of Noah and Charlotte, or Gamfield the brutish sweep. These sorts of individuals existed, even if Dickens exaggerated them for dramatic or comic effect. In the 1700s in London apprentices who felt aggrieved could take their complaints (or not being trained, being exalted, or even abused) to the Chamberlain of London in his court at Guildhall. Failing that they might seek advice and mediation from a magistrate.
Both sides approached the Chamberlain and magistrate in the Georgian period and apprentices were released from their contracts or admonished in equal measure. For a master the courts were often a useful way to discipline unruly teenagers who simply refused to obey their ‘betters’. However, other masters resorted to physical chastisement in their attempts to discipline their disobedient charges.
Sometimes this went too far, as in this case that reached the Police Court magistrate at Clerkenwell.
Joseph Mitchely was a parish apprentice, just like the fictional Oliver. He was aged 14 or 15 and had been bound to an Islington ‘master frame maker and french polisher’ named Wilton. In early November he had complained to the court that Henry Wilton was beating him unfairly and the magistrate ordered an investigation to be made. He called in the parish authorities (in the person of Mr Hicks) who made some enquiries into the case.
Having completed his investigation Mr Hicks reported back to Mr Tyrwhitt, the sitting justice at Clerkenwell. He declared that the boy had exaggerated the extent of the ‘abuse’ he’d supposedly suffered and was now apologetic. Apparently, young Joseph now ‘begged his master’s forgiveness’.
Mr Tyrwhitt discharged the master frame maker and told the boy to return with him and make his peace. He added that in it might be better if any further disputes between them were brought before him or one of his fellow magistrates, and suggested that Mr Wilton avoid ‘moderate correction’ in future. Hopefully both parties had learnt a valuable lesson and were able to move forward in what was a crucial relationship (for Joseph at least).
[from The Morning Chronicle, Tuesday, November 21, 1848]