A young mind is turned by the dream of emulating Buffalo Bill’s wild Wild West

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In 1887 ‘Buffalo’ Bill Cody brought his travelling Wild West Show to Europe. The show featured wild animals, reenactments of historical events from American history (such as the Civil War and the Indian wars), feats of horsemanship and skills such as sharpshooting and rodeo. It was a form of  circus with a peculiarly American frontier theme. Cody (below right, with Sitting Bull) was a master showman and thousands flocked to see performances in London, Manchester and Birmingham and even Queen Victoria took in a show as part of an American Exhibition in West London in what was her golden jubilee year.

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The touring show made a big impression on one young boy, 14 year-old Cecil James Eugene Harvey, who saw it in London. His head filled with cowboys and Indians (which were also the stuff of many of the cheap ‘penny dreadfuls’ that youngers consumed) Cecil struggled to concentrate on his work as a City office errand boy. His fantasy world overtook reality and soon he settled on a plan that would allow him to follow his dreams.

As an errand boy he was trusted to run money around the City as part of his duties and young Cecil realized it would be fairly easy to top up his rather poor weekly wages with some ‘extras’ from under his employer’s noses. On the 6 April he was sent out by Mr C. R. Bonne of Eastcheap to cash a cheque for £5 but he never returned.

His absence was noted however, and the police were informed. They sent out telegrams to alert other forces and Cecil was arrested in Salford by the local police. They sent him back to London in the custody of an officer from the met and on 21 April 1888 he was set in the dock at Mansion House Police to be quizzed by the Lord Mayor.

In keeping with his romantic ideas of the Wild West Cecil played the part of an outlaw in court. He told the magistrate that he had intended to go to America to start a new life but when he realized that he didn’t have the money for the passage he went up to Manchester, where Cody’s show was playing, so he could take it in daily instead. He was still determined to get to the States and even the Lord mayor sent him to prison for 10 years for this crime, ‘he would go afterwards’.

Young Cecil was unlikely to get 10 years penal servitude for embezzling £5 but he would have lost his employment. The Lord Mayor remanded hi in custody as is so many of the reports of the newspapers we don’t get to find out what happened to him. I suspect that he spent an uncomfortable few nights in a cell before being formally reprimanded by the Lord Mayor and sent home to a thrashing from his father (if he had one).

I like to think that one day he made it to America, although once there who knows if it would have lived up to his expectations. The world looks very different when you are 14, especially if that world is reflected through the pages of comic books or in the fantasy world of the circus or theatre.

[from Lloyd’s Weekly Newspaper, Sunday, April 22, 1888]

In June this year my new book – which offers up a new suspect for the ‘Jack the Ripper’ murders of 1888 – is published by Amberley Books. If you are interested in pre-ordering a copy you can find the details here.

A young Turpin is nipped in the bud

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William Roseblade was 13 years old when he was stood in the dock at Clerkenwell Police court accused of stealing money from his employer, Mr Thompson. Described as ‘a sharp, intelligent-looking boy’ it was alleged that William had stolen the princely sum of £10 and ran away. The boy was tasked with errand running for the Islington watchmaker and was regularly sent out with sovereigns to change to get changed for smaller silver coins. One day in March 1864 he simply didn’t come back.

PC William Kempson (304R) was on the platform at Lewisham railway station when he noticed  a lad acting suspiciously, putting money in a purse and he moved in and grabbed him. When he asked the boy (who was William) just where he’d got such a lot of cash he was given three different, and equally implausible answers.  The policeman took young William by the collar and marched him to the local police station. There he was searched and £5 14d, a pistol, some percussion caps, powder and a bullet mould were found on him.

This was more serious than the usual juvenile delinquency the police encountered daily, just where had William got a gun from and how had he ended up in Lewisham when his stated home address was in Norfolk Street, Islington?

William now gave a dramatic and bizarre story to the police. He said he’d been waylaid by gipsies and forced to join their gang. At first they threatened his life if he didn’t do as he was told but soon he won the confidence of their leader and became his second in command. He said the gang had stopped several gentleman on the roads and demanded ‘their money or their lives’. William held the gun and was told that if they didn’t hand over the money, or were violent, he was to shoot them. He added that the gang ‘never ill-used them if they did not make a noise and at once complied with their wishes’.  He declared that he had already shot several people who hadn’t done as they were asked.

Now, however, he had grown tired of the life of a highwayman and a burglar and wanted to go to sea ‘so that he could be a pirate and a bold buccaneer, and sweep the seas and be his own master, and forever free’.

It was a romantic tale and, of course, a complete fantasy from beginning to end. The magistrate asked the police if any crimes fitting William’s description had occurred in the area he mentioned but they had not, the lad had made it up. What had inspired him then? Well, it seems young William had a passion for penny dreadfuls, for the cheap publications like “Dick Turpin”, “The Gentleman Highwayman,” and “Tales of the Daring and Bravery of Pirates”. He’d filled his head with heroic criminality and was unable to separate this from the reality of his own life.

His mother was distraught. She told the justice that she’d raised him properly, ‘religiously and respectably’ and he had brought disgrace on a  family that had never been in trouble with the law before. She urged the magistrate to send her son to a reformatory school: ‘He was young’ she said, ‘and he might turn out a bright man’.

The magistrate upbraided William for his behaviour and his attitude but the lad was unrepentant and seemingly unfazed by his appearance in court. He was living the dream of being a highwayman, acting up to authority and ‘dying game’ as Turpin did. Whether he felt the same way once he had spent a month in a cell at the Clerkenwell house of correction is anyone’s guess however.

[from Lloyd’s Weekly Newspaper, Sunday, April 3, 1864]

‘The very image of the Devil himself, with horns and eyes of flame’; Spring Heeled Jack in Kentish Town

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At some point in the late 1830s a new monster appeared in the public consciousness. A humanoid figure with glowing eyes, that breathed fire and leap over walls attacked and frightened women across the capital. The fearsome creature – dubbed ‘Spring Heeled Jack’ – disappeared almost as quickly as it arrived, leaving the police baffled and the public in terror.

In February 1838 Lucy Scales and her sister were terrified by ‘Jack’ as they walked home in Limehouse. The cloaked monster shot ‘a quantity of blue flame’ into a face, temporarily blinding her and bringing on what sound like epileptic fits for several hours.

In Kentish Town in March 1838 PC Markham (S24) was walking his beat one Saturday evening when he screams and shouts ahead of him. Suddenly he saw ‘women and children running in all directions, screaming out “Here’s Spring-heel’d Jack’.

The constable drew his ‘staff’ (his truncheon) gathered his wits and courage and set off to confront the demon. Several women who had run to the policeman for safety pointed at a man in the street as the ‘terror of London’ in person.

‘Perceiving that a sort of blue froth was at his mouth, and his features were not altogether natural, [PC Markham] went up to him, and seizing him by the collar, dragged him to a butcher’s shop, by the light of which he discovered that he wore a mask, embellished at the mouth with blue glazed paper’.

The brave constable grabbed his man by the collar and frog-marched him off to the nearest police station. The next morning the monster, who went by the name of Daniel Granville, was set in the dock at Marylebone Police Court. He cut a strange and sorry figure: ‘a simple-looking fellow, with a most bewitching obliquity of vision’ as the paper described him. Granville apologised for frightening the public and said it was never his intention. The magistrate dismissed him with a warning, presumably as a sad rather than bad individual who was trading on the publicity that the real ‘devil’ had generated.

Sightings of Spring Heeled Jack multiplied across the 1830s and into the 1840s, and the phenomenon spread beyond the capital. Jack was spotted in Brighton later in 1838 and by the 1840s had traveled to East Anglia and Northampton Jack became a feature of contemporary popular culture – headlining in several penny dreadfuls and a number of plays and melodramas. ‘Jack’ eventually passed into myth (if he even existed at all) and by the 1950s was appearing in popular comics as a sort of dark vigilante, a caped anti-hero rather similar to Gotham’s Batman.

No one has ever been formally identified at the culprit and the reality may be that there were several ‘Jacks’. For me it is an example of how a growing urban populace retained some of the folk beliefs and ‘monsters’ from their rural past and merged them with the threats posed by the modern city environment. ‘Spring Heel’d Jack’ was embodiment then of the fears of the City at the beginning of Queen Victoria’s reign just as ‘Jack the Ripper’ was to become symbolic of urban degradation towards its end.

[from The Morning Post, Tuesday, March 20, 1838]

A distraught wife declares: ‘I intended to do for him, for his brutality and for leaving me’.

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A Southwark street in the 1890s

Serious violence such as attempted and actual murder was rarer in the nineteenth century than we might think from all the concentration of sensation literature and ‘murder news’ that has survived. Excellent work by Judith Flanders and Rosalind Crone has illuminated our understanding of the Victorians’ fascination with murder and gore but we shouldn’t conclude from this that homicides were an everyday occurrence.

Sadly, domestic and spousal violence was commonplace and the Police Courts were regularly witness to tales of wife beating as tensions in the home were brought into the public sphere. Magistrates tried to take a firm line with abusers but were often frustrated by the fact that survivors frequently refused to condemn their abusers in court; they were prepared to take them to law but not prosecute them fully, for fear of future retribution or losing the main breadwinner.

Nearly all of these victims were women but women did initiate violence sometimes and fight back when attacked. Men rarely prosecuted their wives however, because this would have suggested they had lost control of the household and that would have been a social catastrophe for their reputation.

So it is rare to see a woman in front of the courts for assaulting her husband or partner, unless there is a very clear and obvious reason, as there is with the case of Elizabeth Penning.

Elizabeth Penning had been living with John Walthe for several years. The couple weren’t married but lived as if they were. This sort of arrangement – normal today – was much more common than me might expect in the nineteenth century. Marriage was expensive and working class society did not demand that couples tied the knot officially, especially in large urban centres such as London.

It wasn’t a happy marriage however. John was having an affair and abused his wife. By his own admission he had ‘ill-treated [her] while he lived with her. He had broken three of her ribs, [and] struck her with a chopper, for which he had been punished’.

In late January 1860 he had been out drinking late and was on his way home. As he approached the Sir John Falstaff pub on Kent Street he noticed Elizabeth sitting on the step outside.

She challenged him, calling out: ‘What have you done with your woman?’

The pair rowed and John walked on. He hadn’t gone far when he heard female screams and rushed back and down Falstaff Yard, near the pub. There he found Elizabeth armed with a knife. She rushed at him and aimed  stab at his neck. The kitchen knife went in deep and blood flowed. John was taken to St Thomas’ Hospital and his life was in danger. He didn’t recover form his wounds for a month. Meanwhile Elizabeth was arrested while the courts waited to find out whether she would be charged with attempted or actual murder.

Fortunately for all concerned John survived and the case came initially before the Southwark Police Court magistrate, Mr Burcham in February.

Now that Waltin could give evidence more detail of what happened that night emerged. He’d not been alone when he passed Elizabeth at the pub. He’d had a woman on his arm and that was how the row had started. Elizabeth had threatened him and he’d dismissed this, telling her she ‘had not pluck to do it’.

PC 171M had been first on the scene, responding to the shouts from Falstaff Yard. He saw Elizabeth brandishing a bloodied kitchen knife and arrested her. She admitted stabbing her husband and said ‘she intended to do for him, for his brutality and for leaving her’. John was reluctant to testify against his wife, and admitted his own fault in the matter. Elizabeth said nothing before the justice, preferring to keep her defence for the jury trial that would inevitably follow.

The case did come before the Old Bailey and Elizabeth was convicted of wounding her partner. The trial unfolded with little more detail than we have from the pre-trial hearing. We do get to hear from Elizabeth however, who issued a written statement at the end of the case. This repeats some of the facts John admitted to at Southwark but adds considerably to a picture of his brutality and callous disregard for her. I’m not for a moment suggesting she was justified in stabbing him but it helps explain why she did so:

The prisoner put in a written defence, stating that she had lived with the prosecutor for seven years and suffered much ill treatment; that she had charged him at Southwark Police-court with cutting her head open with a chopper, for which he was imprisoned for three months; since when he has fractured three of her ribs, cut her eye open, and given her two severe wounds on the head with a pickaxe, which caused her at times not to know what the did or said; that he had kept her for three months without boots or shawl, so that she could not seek work, and got involved in debt, and that when she spoke to him about it he struck her; that she saw him on Saturday night with the woman in question, whom he told to give her a good hiding.

Having been found guilty Elizabeth was sentenced to six months imprisonment by the Common Sergeant.

[from The Standard, Monday, February 27, 1860]

A ‘murderous affray’ at the Arsenal

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Sometimes the newspaper ‘headlines’ above a story have a tendency to exaggerate. Now I’m sure that comes as no surprise to anyone reading the modern newspapers. But they presence of sensational headings in reports from the Police Courts suggest to me that the late nineteenth-century press was still evolving ways in which to present news to their readers. Newspapers had reacted to the rise of the serialised novel, and of ever more ‘sensational’ theatre productions, the ‘penny dreadful’ and other cheap prints that competed for the Victorian public’s attention and hard earned cash.

In an article entitled ‘the murderous affray at Woolwich Barracks’ The Standard reported a fight between three members of the Royal Artillery and  a civilian working at the barracks. The case came up before the Woolwich Police Court magistrate and ultimately ended in a  trial at the Old Bailey. No one was badly hurt and all parties were eventually acquitted of any crime.

Two gunners, Francis Murphy and William Dewdney, were attacked by Jeremiah Maher (a fellow gunner) at the barracks. Maher was deep in conversation with William Baldwin who worked there but was not a soldier. A quarrel broke, possibly because Murphy and Dewdney were both a little the worse for drink. and Maher took down and drew a sword. In the resulting skirmish both gunners were stabbed and ended up in hospital, although none of their wounds were deemed life threatening.

The magistrate quickly dismissed Baldwin as he was clearly just an innocent bystander, he’d taken no part in the assault. The wounds, whilst not likely to result in serious long term injury, were at first considered ‘dangerous’ however and so Maher was remanded and later committed for trial.

The only evidence presented in defence of Maher came from Baldwin who supported his allegation that the two gunners had started the row and he was only acting in self-defence. Apparently Baldwin had heard the pair say: ‘Don’t stab them; but shoot them’. The case was no clearer in the report from the Old Bailey a week later. There Maher was found not guilty after a handful of persons gave evidence, most of which would seemingly have supported the case for the prosecution. The surgeon, for example, didn’t think the wounds the men had sustained were commensurate with self-defence.

It didn’t matter because Maher was given a good character but someone unnamed by the court reporter, and walked free. In the end then, it was a much less ‘murderous’ affair than the paper suggested. A few years later they could all have simply taken their aggression out on the football pitch, watching the Woolwich works’ team, the Royal Arsenal.

[from The Standard, Thursday, January 08, 1880]

You can use this site to search for specific crimes or use the Themes link in the menu on the left to look for areas or topics that interest you. If you are interested in a particular court (such as Bow Street or Marylebone) you can also limit your search to one court in particular. Please feel free to comment on anything you read and if something in particular interests you then please get in touch. You can email me at drew.gray@northampton.ac.uk

Business as usual at Bow Street while the Red Barn murder mystery unfolds elsewhere

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In  1828 crime news in England was dominated by one story: the trial and execution of William Corder in Bury St Edmunds. Corder shot his lover, Maria Marten, after they had arranged to meet and then elope together. They met at the Red Barn in Polstead, Suffolk, having decided to run away because of fears that the parish officers were going to prosecute Maria for bearing at least two bastard children (one by Corder).

Corder was a fraudster and a Don Juan character and after murdering and burying Maria he fled to London, marrying  a woman who answered an advertisement he placed in the papers, and setting up home with her in Brentford. This is where he was when he was eventually tracked down by the police in 1828. He was brought back to Suffolk and his trial began on the 7 August.

The murder story became a sensation, it filled the newspapers and was copied widely into murder broadsides and cheap ‘penny dreadfuls’. Corder’s skull went on display in Suffolk and a play and melodrama was written about the tragedy. The Red Barn murder had become a murder mystery with a number of twists and sub plots.

Meanwhile at London’s police courts the more everyday business of law or order were given less coverage by the papers as a result. The entry for ‘Police Intelligence’ in The Morning Post is almost cursory. It mentions a counterfeiter at Hatton Garden who was remanded while two men at Marlborough Street were prosecuted for ‘furious driving’ and an assault on another road user (‘road rage’ in the 1820s?).

Finally from Bow Street, several women were brought in and charged by the proprietor of the English Opera House in Covent Garden. He complained to the Bow Street magistrate, Sir Richard Birnie, about the ‘disgraceful conduct of the depraved characters of both sexes who frequent the avenues of this theatre’. Covent Garden was synonymous with prostitution in the  period and this was a constant problem for the bench. Mr Birnie and his colleague, Mr Minshull sent the parcel of females to prison for a few days or weeks to ‘prevent their reappearance in that quarter for some time'(but not for ever).

[from The Morning Post, Saturday, August 09, 1828]